How Can An Editor Balance Editing the Work of Others with His/Her Own Writing?
We have been asked to go back in time, in my case about 3
decades, to my early 20s, and write about what kind of job in the publishing
industry I would most like to hold, and to discuss how that job would balance
with my own writing activities.
For me, the answer then would be the same answer I would
give today. As much as I love writing, I also have a passion for editing. By
the age of 21, I had served as editor of my high school newspaper, which won
awards for its quality, and I was the founder and editor of my college
newspaper. Because of my credentials as editor of the St. Joseph’s College
Spectrum newspaper, before I graduated, the college saw fit to establish a
Written Communications minor, which shared faculty between the English and
Communications departments.
To me, writing is great, but it is only one piece of the
puzzle. Valerie Peterson (2017) wrote, “The book publisher’s editors perform all the duties necessary to acquire
and edit books and see them through to publication, including dealing with
literary agents, authors, and interfacing with the breadth of the book
publishers other staff.” As the editor of my school publications, I had become
accustomed to having my fingers in every facet of the publication process, and
that definitely appealed to me, so having interactions with so many
stakeholders as Peterson notes an editor might have would have been my dream
job then, and still appeals to me now.
When I look back on my
20s as they actually unfolded, I spent most of that decade writing things other
people (notably newspaper editors) wanted me to write, and as a result, every
creative idea in my brain took a long vacation. I wrote thousands of stories
appearing in multiple daily newspapers around New England, but the creative
juices that had me writing fiction from the age of 11 until I was in college
abandoned me. It was not until several years after I left the newspaper
business that I had my first inspiration for a piece of fiction. About 15 years
had passed!
Because of this
drought, I can only speak hypothetically about how I would have balanced my
writing. I suppose you could say that in my real life, writing to satisfy
others became more important to me that nurturing my creative side. I hated it.
I wondered if my creative juices would ever return, and ironically, it took a
personal catastrophe to open the flood gates to my creativity. That, ironically
enough, occurred 15 years ago, and the creative juices are still flowing
freely.
The way I would ensure
that my writing would not take a decade-long back seat to the day job would be
to allocate certain hours of the day exclusively for writing. I did not have
children or even a relationship to compete with that in my early 20s, and I had
an employer in college who had drilled into my head the need to have an
organized structure to my day, planning out which tasks I would perform at
which time. That system worked for me in his department – the Student Life
Office – so I have no reason to believe it would not work in my personal
activities.
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